Notes and rests are dotted—that is to say, a dot is placed to the right of the note or rest—to indicate that the length of time the note is played or the rest is held should be changed in a piece of music. A dot after a note tells the musician that the note or rest should be held half again as long as its normal duration.

Every musical work has an established tempo and most scholars believe that musical tempi are based on human heartbeats. Musicologist David Epstein calls the underlying rhythm of any piece of music a “ground pulse” that in some respects sets the tone for the piece. Dots on notes can elongate or interrupt the beat in a way that is interesting, subconsciously or consciously. When taken as a whole, tempo combined with other variables, such as timing, dynamics, intonation, and timber, defines the emotional content of a piece.

Dotted, Double-Dotted, and Triple-Dotted Notes and Rests

Therefore, dotting a note or a rest changes the regular pattern, by adding half of the value of the note or rest to itself. For example, a half note normally gets two beats, but when it is dotted, it gets 3 beats. To illustrate, the value of a half note is 2, half of 2 is 1 so 2 + 1 = 3.

Multiple dots increase the length an additional half the time of the previous dot, so a half note with two dots (also known as double-dotted) is calculated 2+1+ 1/2 = 3 1/2 beats, and a triple-dotted half note equals 2+1+1/2+1/4 = 3 3/4.

The table below lists the type of dotted note/rest and its duration depending on the number of dots. Musical pieces with more than three dots are rare. 

Dotted Notes and Rests and Their Duration

Dotted Note Dotted Rest No Dots One Dot Two Dots Three Dots

whole note whole rest 4 6 7 7 1/2

half note half rest 2 3 3 1/2 3 /3/4

quarter note quarter rest 1 1 1/2 1 3/4 1 7/8

eighth note eighth rest 1/2 3/4 7/8 15/16

sixteenth note sixteenth rest 1/4 3/8 7/16 15/32

Sources:

Epstein D. 1995 Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books. Gabrielsson A. 1999. Studying Emotional Expression in Music Performance. Bulletin of the Council for Research in Music Education(141):47-53.

Music Theory 101: Dotted Notes, Rests, Time Signatures

Symbols of Piano Music

The Italian Commands of Piano Music

Reading Music: Tied Notes

Musical Symbols in Piano Music

Types of Rests and Pauses in Music

The 100 Best Hip-Hop Albums of the 2000s

How to Count and Play Triplets in Music

marcato

Counting Musical Tuplets With Audio

Understanding Basic Beats and Meter

quadruplet

The Top 100 Best Party Songs of All Time

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100 of the Best Pop Songs of All Time

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Notes and rests are dotted—that is to say, a dot is placed to the right of the note or rest—to indicate that the length of time the note is played or the rest is held should be changed in a piece of music. A dot after a note tells the musician that the note or rest should be held half again as long as its normal duration.

Every musical work has an established tempo and most scholars believe that musical tempi are based on human heartbeats. Musicologist David Epstein calls the underlying rhythm of any piece of music a “ground pulse” that in some respects sets the tone for the piece. Dots on notes can elongate or interrupt the beat in a way that is interesting, subconsciously or consciously. When taken as a whole, tempo combined with other variables, such as timing, dynamics, intonation, and timber, defines the emotional content of a piece.

Dotted, Double-Dotted, and Triple-Dotted Notes and Rests

Therefore, dotting a note or a rest changes the regular pattern, by adding half of the value of the note or rest to itself. For example, a half note normally gets two beats, but when it is dotted, it gets 3 beats. To illustrate, the value of a half note is 2, half of 2 is 1 so 2 + 1 = 3.

Multiple dots increase the length an additional half the time of the previous dot, so a half note with two dots (also known as double-dotted) is calculated 2+1+ 1/2 = 3 1/2 beats, and a triple-dotted half note equals 2+1+1/2+1/4 = 3 3/4.

The table below lists the type of dotted note/rest and its duration depending on the number of dots. Musical pieces with more than three dots are rare. 

Dotted Notes and Rests and Their Duration

Dotted Note Dotted Rest No Dots One Dot Two Dots Three Dots

whole note whole rest 4 6 7 7 1/2

half note half rest 2 3 3 1/2 3 /3/4

quarter note quarter rest 1 1 1/2 1 3/4 1 7/8

eighth note eighth rest 1/2 3/4 7/8 15/16

sixteenth note sixteenth rest 1/4 3/8 7/16 15/32

Sources:

Epstein D. 1995 Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books. Gabrielsson A. 1999. Studying Emotional Expression in Music Performance. Bulletin of the Council for Research in Music Education(141):47-53.

Music Theory 101: Dotted Notes, Rests, Time Signatures

Symbols of Piano Music

The Italian Commands of Piano Music

Reading Music: Tied Notes

Musical Symbols in Piano Music

Types of Rests and Pauses in Music

The 100 Best Hip-Hop Albums of the 2000s

How to Count and Play Triplets in Music

marcato

Counting Musical Tuplets With Audio

Understanding Basic Beats and Meter

quadruplet

The Top 100 Best Party Songs of All Time

downbeat

100 of the Best Pop Songs of All Time

Top 50 Sexy Pop Songs

When you visit the site, Dotdash Meredith and its partners may store or retrieve information on your browser, mostly in the form of cookies. Cookies collect information about your preferences and your devices and are used to make the site work as you expect it to, to understand how you interact with the site, and to show advertisements that are targeted to your interests. You can find out more about our use, change your default settings, and withdraw your consent at any time with effect for the future by visiting Cookies Settings, which can also be found in the footer of the site. Cookies Settings Reject All Accept Cookies

Notes and rests are dotted—that is to say, a dot is placed to the right of the note or rest—to indicate that the length of time the note is played or the rest is held should be changed in a piece of music. A dot after a note tells the musician that the note or rest should be held half again as long as its normal duration.

Every musical work has an established tempo and most scholars believe that musical tempi are based on human heartbeats. Musicologist David Epstein calls the underlying rhythm of any piece of music a “ground pulse” that in some respects sets the tone for the piece. Dots on notes can elongate or interrupt the beat in a way that is interesting, subconsciously or consciously. When taken as a whole, tempo combined with other variables, such as timing, dynamics, intonation, and timber, defines the emotional content of a piece.

Dotted, Double-Dotted, and Triple-Dotted Notes and Rests

Therefore, dotting a note or a rest changes the regular pattern, by adding half of the value of the note or rest to itself. For example, a half note normally gets two beats, but when it is dotted, it gets 3 beats. To illustrate, the value of a half note is 2, half of 2 is 1 so 2 + 1 = 3.

Multiple dots increase the length an additional half the time of the previous dot, so a half note with two dots (also known as double-dotted) is calculated 2+1+ 1/2 = 3 1/2 beats, and a triple-dotted half note equals 2+1+1/2+1/4 = 3 3/4.

The table below lists the type of dotted note/rest and its duration depending on the number of dots. Musical pieces with more than three dots are rare. 

Dotted Notes and Rests and Their Duration

Dotted Note Dotted Rest No Dots One Dot Two Dots Three Dots

whole note whole rest 4 6 7 7 1/2

half note half rest 2 3 3 1/2 3 /3/4

quarter note quarter rest 1 1 1/2 1 3/4 1 7/8

eighth note eighth rest 1/2 3/4 7/8 15/16

sixteenth note sixteenth rest 1/4 3/8 7/16 15/32

Sources:

Epstein D. 1995 Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books. Gabrielsson A. 1999. Studying Emotional Expression in Music Performance. Bulletin of the Council for Research in Music Education(141):47-53.

Notes and rests are dotted—that is to say, a dot is placed to the right of the note or rest—to indicate that the length of time the note is played or the rest is held should be changed in a piece of music. A dot after a note tells the musician that the note or rest should be held half again as long as its normal duration.

Every musical work has an established tempo and most scholars believe that musical tempi are based on human heartbeats. Musicologist David Epstein calls the underlying rhythm of any piece of music a “ground pulse” that in some respects sets the tone for the piece. Dots on notes can elongate or interrupt the beat in a way that is interesting, subconsciously or consciously. When taken as a whole, tempo combined with other variables, such as timing, dynamics, intonation, and timber, defines the emotional content of a piece.

Dotted, Double-Dotted, and Triple-Dotted Notes and Rests

Therefore, dotting a note or a rest changes the regular pattern, by adding half of the value of the note or rest to itself. For example, a half note normally gets two beats, but when it is dotted, it gets 3 beats. To illustrate, the value of a half note is 2, half of 2 is 1 so 2 + 1 = 3.

Multiple dots increase the length an additional half the time of the previous dot, so a half note with two dots (also known as double-dotted) is calculated 2+1+ 1/2 = 3 1/2 beats, and a triple-dotted half note equals 2+1+1/2+1/4 = 3 3/4.

The table below lists the type of dotted note/rest and its duration depending on the number of dots. Musical pieces with more than three dots are rare. 

Dotted Notes and Rests and Their Duration

Dotted Note Dotted Rest No Dots One Dot Two Dots Three Dots

whole note whole rest 4 6 7 7 1/2

half note half rest 2 3 3 1/2 3 /3/4

quarter note quarter rest 1 1 1/2 1 3/4 1 7/8

eighth note eighth rest 1/2 3/4 7/8 15/16

sixteenth note sixteenth rest 1/4 3/8 7/16 15/32

Sources:

Epstein D. 1995 Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books. Gabrielsson A. 1999. Studying Emotional Expression in Music Performance. Bulletin of the Council for Research in Music Education(141):47-53.

Sources:

  • Epstein D. 1995 Shaping Time: Music, the Brain, and Performance. New York: Schirmer Books.

  • Gabrielsson A. 1999. Studying Emotional Expression in Music Performance. Bulletin of the Council for Research in Music Education(141):47-53.

  • Music Theory 101: Dotted Notes, Rests, Time Signatures

  • Symbols of Piano Music

  • The Italian Commands of Piano Music

  • Reading Music: Tied Notes

  • Musical Symbols in Piano Music

  • Types of Rests and Pauses in Music

  • The 100 Best Hip-Hop Albums of the 2000s

  • How to Count and Play Triplets in Music

  • marcato

  • Counting Musical Tuplets With Audio

  • Understanding Basic Beats and Meter

  • quadruplet

  • The Top 100 Best Party Songs of All Time

  • downbeat

  • 100 of the Best Pop Songs of All Time

  • Top 50 Sexy Pop Songs

Music Theory 101: Dotted Notes, Rests, Time Signatures

Music Theory 101: Dotted Notes, Rests, Time Signatures

Symbols of Piano Music

Symbols of Piano Music

The Italian Commands of Piano Music

The Italian Commands of Piano Music

Reading Music: Tied Notes

Reading Music: Tied Notes

Musical Symbols in Piano Music

Musical Symbols in Piano Music

Types of Rests and Pauses in Music

Types of Rests and Pauses in Music

The 100 Best Hip-Hop Albums of the 2000s

The 100 Best Hip-Hop Albums of the 2000s

How to Count and Play Triplets in Music

How to Count and Play Triplets in Music

marcato

marcato

Counting Musical Tuplets With Audio

Counting Musical Tuplets With Audio

Understanding Basic Beats and Meter

Understanding Basic Beats and Meter

quadruplet

quadruplet

The Top 100 Best Party Songs of All Time

The Top 100 Best Party Songs of All Time

downbeat

downbeat

100 of the Best Pop Songs of All Time

100 of the Best Pop Songs of All Time

Top 50 Sexy Pop Songs

Top 50 Sexy Pop Songs

Home

Entertainment

Careers

Activities

Humor

About Us Advertise Careers Privacy Policy Editorial Guidelines Contact Terms of Use EU Privacy

LiveAbout is part of the Dotdash Meredith publishing family.

Home

Home

Entertainment

Careers

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LiveAbout is part of the Dotdash Meredith publishing family.

When you visit the site, Dotdash Meredith and its partners may store or retrieve information on your browser, mostly in the form of cookies. Cookies collect information about your preferences and your devices and are used to make the site work as you expect it to, to understand how you interact with the site, and to show advertisements that are targeted to your interests. You can find out more about our use, change your default settings, and withdraw your consent at any time with effect for the future by visiting Cookies Settings, which can also be found in the footer of the site. Cookies Settings Reject All Accept Cookies